Catapulting into Classical

A headlong leap into music, history, and composing


Leave a comment

Free Concert Webcast: Beethoven’s Ninth and Bob Dylan Reimagined

Tonight, May 19, 2017 at 8PM EDT (GMT -5), the Detroit Symphony Orchestra will present a free webcast.  The program will feature Beethoven’s Ninth Symphony and John Corigliano’s Mr. Tambourine Man: Seven Poems of Bob Dylan.

Corigliano has set Bob Dylan’s words to music that is very different from the original recordings.  You can read more about the song cycle here on the composer’s website.  Those interested in a more detailed musical analysis of the work can find one at the link.

You can see the concert at http://www.dso.org/live.


3 Comments

Haiku Wednesday: Bach’s Ukulele-Piano Duet

Bach in Hawaiian shirt photobombs picture of the Thomaskirche in Leipzig

Bach photobombs tourist’s picture of the Thomaskirche in Leipzig

What would Bach do if
He had a ukulele?
I picture the scene:

We see him scowling,
As he does in his portraits,
Unwrapping a box.

Carefully, he lifts
The lid, and peering inside,
Smiles, then roars, laughing.

The kids all gather
As he gleefully extracts
His new tiny lute.

And, of course, he then
Plays it instantly and well,
Playing his own tune.

A kid brings a bow
As he sees what it can do,
Thinking what he’ll do.

And as the kids leave,
He sits at his desk. With quill
In hand, he begins…

A friend of mine got a ukulele for Christmas.  We were talking about the availability of music, and joking, said there were no ukulele and piano duets.

We were picturing a ukulele trying to contend with a concert grand, figuring that, short of amplifying the ukulele or alternating solos, it would be an exercise in futility.  A clavichord, maybe, they were known for being whisper soft.  But a piano?  It’s a classic(al) David and Goliath story.

Of course, I couldn’t leave it alone.

The easiest way to make it happen was to borrow from Bach.  So I borrowed the Minuet in G Major (BWV Anh. 114) from the Notebook for Anna Magdalena Bach.  As it turns out, it is now believed that Bach borrowed this little ditty from Christian Petzold.

Those of a certain age will remember hearing it popularized as the song “How Gentle is the Rain?” or “A Lover’s Concerto”.  I transposed it from G major to C major to make it easier for the ukulele to play.  Then, I tried to figure out how to integrate a piano without overwhelming the ukulele, while allowing them each to have their moments to shine.

No matter what, the pianist will need to use restraint (and the soft pedal).  A piano, even the subtlest piano, can easily overpower the ukulele.  But balance can be achieved, and it’s fun!

Here’s what it sounds like.  Warning: if you use the link rather than the player displayed on this page, you may hear unrelated music afterward.  Can’t prevent it (Soundcloud!).  Hit the pause button (at the bottom of the Soundcloud page).

Here’s what it looks like (below).  Click the image to magnify, or click the following link to view/download/print the Minuet for ukulele and piano as a PDF file.

Sheet music, Minuet for Ukulele and Piano page 1Sheet music, Minuet for ukulele and piano, page 2

If you’re a ukulele player (ukulelist?), give it a try and let me know how it turns out!

_____

Image attribution: Photograph of Leipzig Thomaskirche by Tuxyso / Wikimedia Commons, via Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Thomaskirche_Leipzig_Westseite_2013.jpg.  Vintage Hawaiian shirt by Omaopio (Own work) [Public domain], via Wikimedia Commons, https://commons.wikimedia.org/wiki/File%3AVintage_aloha_shirt.JPG. Portrait of Bach by Elias Gottlob Haussmann [Public domain], via Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Johann_Sebastian_Bach.jpg.


Leave a comment

Free Webcast Concert: “Seductive Showpieces” featuring De Falla, Gimenez, Marquez, Bernstein

Broadcast tower topped by music note, globe in background

Today, Saturday, May 13, 2017 at 8PM EDT (GMT -5) the Detroit Symphony will present a free concert featuring violinist Alexandra Soumm and conducted by Carlos Miguel Prieto.  Here’s the program.  You can learn more about the works and composers at the links.

Márquez: Danzón No. 2

Bernstein: Serenade (after Plato’s “Symposium”)

De Falla: The Three-Cornered Hat

Gimenez: Intermezzo from La Boda de Luis Alonso


1 Comment

New in the Digital Audio Guide: Audio formats

Stick figure confused by music note comprised of ones and zeroes

I’ve just published a new page in the Guide to Digital Audio.  This one is called ALAC and Alas! Which Digital Audio Format Should I Pick?  Here you’ll be able to learn about the differences between WAV and mp3, FLAC and ALAC, and what the heck Ogg Vorbis is.  You’ll find an overview of audio file formats, and, if you’re digitizing your music collection of LPs and CDs, help to figure out which format is right for you.

Coming soon will be an overview of music streaming services and more on digitizing huge music libraries.

Not keen on all the flap about FLAC?  I have some music for you, and something that will tie in nicely with the post on digital audio.  Here is Steve Reich’s Electric Counterpoint: III. Fast.


Leave a comment

The Defiant Requiem: Verdi at Terezin

On Sunday, May 7, 2017, at 3PM EDT (GMT -5), the Detroit Symphony will present a free webcast of The Defiant Requiem, a performance of Verdi’s Requiem that tells the story of the prisoners of the Terezin (Theresienstadt) concentration camp who performed the requiem during World War II. The multimedia performance was created by Murry Sidlin, and includes projections of scenes from propaganda films and testimony from survivors of the concentration camp who performed the requiem. Murry Sidlin will be the guest conductor and will speak during the pre-concert talk that begins at 2PM EDT. Do not miss this powerful presentation. You may see it at http://www.dso.org/live.

You can read more about the Defiant Requiem Foundation here.


1 Comment

Free On-Demand Viewing of 10 Operas for the European Opera Days Celebration

stick guy singing opera on a television with a viking helmet for an antenna

The Opera Platform will present ten operas as part of the European Opera Days celebration, May 5-14, 2017.  On-demand viewing begins at midnight CET (11PM UTC; 7PM EDT).  Here’s what you can see:

Ginestera: Bomarzo from the Teatro Real Madrid

Bizet: Carmen, two performances, from the Latvian National Opera and the Opéra de Lyon

Vivaldi: Farnace from the Opéra National du Rhin Strasbourg

Janáček: Foxie! Cunning Little Vixen from La Monnaie De Munt Brussels

Rossini: Il Turco in Italia from the Bergen National Opera

Monteverdi: L’incoronazione di Poppea from Opéra de Lille

Charpentier: Médée from Theater Basel

Thordarson (Þórðarson): Ragnheiður

Mozart: The Magic Flute (set in outer space) from Den Norske Opera Oslo

Learn more about European Opera Days and the featured operas here.

See other operas currently available on The Opera Platform here.


1 Comment

New Guide: Intro to Digital Audio

Cartoon depicting digital recording procedure

Hello, Catapulting fans!  I haven’t posted much lately because I’ve been working on a special project.

You may recall that I did a post on digital music management software.  In the process of researching the various options, I realized that I wanted to know more about how digital music worked.  And now, I want to share what I have learned with you.

So I’m rolling out the Catapulting into Classical Intro to Digital Audio for folks who might be interested in the subject, but who might not be technically oriented.

I don’t want to bore those of you who might not be interested in tech stuff, so the guide can be found in a tab at the top of the page.  But if you don’t mind dipping a toe in the digital waters, I’ve tried to make it easy to read, with plenty of stick figure drawings to help explain some of the concepts.

Today, I’ve uploaded Part 1, Clash of the Titans: Analog versus Digital.  In the near future, this will be followed by an intro to audio formats, and an entry on giant music libraries at home and online.  I’ll let you know whenever I post new information.

Haiku Wednesday will be back tomorrow, and we’ll resume our weaving way as we wander through the history of classical music.