Here is the link to Yo-Yo Ma’s new video, in which he performs the Prelude from Bach’s Cello Suite No. 1. This would be beauty enough; but the music forms the background to clips of people around the world expressing their creativity and showing how culture connects us all. It is exuberant and full of hope, something we can all aspire to as this new year begins. The video was created as part of Yo-Yo Ma’s Bach Project, in which he will be playing Bach’s six cello suites in 36 cities around the world.
Tomorrow, 21 October 2017 at 8:00 PM EDT (GMT -5), visit dso.org/live for a performance of Harold in Italy by Hector Berlioz, Elgar’s Cello Concerto, and the world premiere of Loren Loiacono’s Smothered by Sky (at link see page 19).
The Opera Platform website, long the home of free opera webcasts, is now Operavision.eu. Operas typically remain available for viewing on the site for six months after their initial webcast, and some are available with subtitles in multiple languages. Operas currently available on the new website include Puccini’s Tosca and Madama Butterfly, Handel’s Acis and Galatea, and Verdi’s La Traviata. Haven’t watched opera before? Check out Operavision’s New To Opera? tab for some helpful information.
Also, opera fans, please note that Operavision will present Wagner’s entire Ring cycle in separate webcasts beginning 28 October 2017, and, on a lighter note, Mozart’s The Marriage of Figaro on 3 November.
Now it’s time to dance.
Forget, for a moment, the
Worries of the world.
If you look at the names of the movements of Bach’s cello suites, you’ll see they are dances: allemande, courante, sarabande, minuet, bourrée, gavotte, gigue. Look around, and you will see many pieces of classical music rooted in dance–ecossaises, ländlers, hallings, and of course, waltzes. While they may be dances of another time and another place, you can’t help but pick up on some of their infectious rhythms.
And no one wrote a gigue like Bach. He even wrote a gigue fugue, one of my favorites.
For your enjoyment, here is the gigue from Bach’s Cello Suite No. 4 played by Mischa Maisky.
Image attribution: Photograph of dancer and cello by Hakan Sevgen, copyright 2016, via Facebook (check out his other work, it’s brilliant!), https://www.facebook.com/photo.php?fbid=10154813926058478&set=a.184796868477.155176.543318477&type=3&theater
Did you ever listen to a piece of music and have it take hold of you, and not let go? Or have it end, and sit there, absorbing what you’ve heard, needing time to…I don’t know, be. Sit with it quietly for a while, like an old friend.
When I heard this performance by Miklos Perenyi of the Sarabande from Bach’s Cello Suite No. 6, that’s how I felt. I have heard other wonderful performances, but there was something about this performance, the sound of this cello, that was particularly moving. I hope you will savor it too.
I’m sorry to say that this video has been removed from YouTube, so I can’t share it with you.
However, I have now found this wonderful guitar transcription by Xavier Coll that I’d like to share with you.
If you’d like to hear the original cello version, here is a video of the sarabande performed by Yo-Yo Ma.
I did some unintentional time travelling yesterday.
I was testing out a new audio cable, and decided to connect it to my audio receiver.
On a whim, I decided to try it with an LP. I randomly grabbed a record from a section of the shelf I knew would yield some favorite, and put on my headphones.
As the needle settled into the groove, I settled into my armchair. The sound was fine. In fact, it was superb.
I had picked out an album of Bach organ works that I’ve had since I was a teenager. I found myself sitting in the same position I would have been in then: seated diagonally, head nestled in the wing of the armchair, leg draped over the armrest, dangling, foot keeping time. Like then, I closed my eyes and absorbed the sound of what my mother would call “staring into space music.”
Back then the world was still a mostly unknown place to me. Germany, where Bach was from, was a far-off land where they spoke a language I didn’t understand. I was sure I’d never get there. People didn’t just go to Europe. Not the folks I knew, anyway.
Then, and now, the music made me think of the soaring stained-glass windows of cathedrals that I’d seen in books. If I opened my eyes back then, outside my window I saw soaring green trees, or the tracery of bare branches, or autumn leaves forming their own stained-glass pattern. At dusk, the view was marred by the light of a small gas station sign beyond the woods that seemed so far off then, though it was only a mile away.
I wasn’t sure what I’d end up doing, but I was looking forward to stepping out into that great big world and starting the adventure. As there was no internet at the time, and “blogger” would have sounded like some made-up nonsense word, well, how could I have known?
And then, the reverie was broken; an LP side only lasts so long. And I was back to the future, now my present.
And how unexpectedly glorious that future had been. Once I learned to drive, I passed that gas station regularly, though I didn’t recognize it and make the connection at first. The world grew. I learned to speak German, and have been to Germany a couple of times, though not yet to any of Bach’s towns.
And as I had listened to Bach in my current comfortable chair, I realized I understood more of what was happening, there were more “I see what you did there” moments. I now have access to sheet music, to see for myself—and now everyone does. And if you’ve got an internet connection, you can listen online to Bach works for organ, cello and more for free without annoying pops or crackles from the record (though they’re so familiar now I find them somewhat endearing).
I don’t know where Bach will take you, but I believe it will be a wonderful journey.
Here is the Toccata in F Major (BWV 540) played by Diane Bish. Some folks will say this is played too fast, but I love it, it’s exciting!
List of Bach Freebies
Spotify users: someone has made curated playlists for all of Bach’s works. Read about it here.
Spotify users: if you want to hear the Hänssler Classic complete set of Bach recordings (under the direction of Helmuth Rilling), read about it here.
Sheet music and, for some pieces, MIDI or mp3 files http://imslp.org/wiki/Category:Bach,_Johann_Sebastian
Open Well-Tempered Clavier https://musescore.com/opengoldberg/sets/openwtc
Open Goldberg Variations https://musescore.com/opengoldberg/goldberg-variations
Image attribution: Recursive clocks in a snail-shell pattern. Photo Time Travel Haikus 5-7-5 by CityGypsy11, Flickr.com, Creative Commons CC-BY-NC 2.0. Click here for source page.
Piano works are
What he’s known for, but there’s more
That you need to hear:
His versions of Polish songs,
A stirring trio.
Get to know Chopin
In a whole new dimension
In non-solo works.
Now let us all say
Happy birthday to the great
It is Chopin’s birthday today! Church records list his birthday as February 22, 1810, but since Chopin and his family celebrated his birthday on March 1, it is considered the correct date.
Where does one begin to write about Chopin? He was brilliant. His works revolutionized the piano repertoire, and enriched the world of music forever. His mazurkas and polonaises captured the soul of Poland, his nocturnes and preludes plumbed the depths of human emotions. Countless words have been written about his piano solo works.
So I’m going to write about his other works.
Did you know that Chopin didn’t write solely for the piano? Certainly, there is a piano present in all his works (and he wrote a piece for two pianos, Rondo in C for Two Pianos, Op. 73, Op. posth.), but lesser known are his compositions that include other instruments.
Chopin wrote two concertos for piano and orchestra (Op. 11 and Op. 21). There are many wonderful videos of the concertos performed at the International Fryderyk Chopin Piano Competition, and you can find them here. You can also hear and see Piano Concerto No 1 performed by Evgeny Kissin (Zubin Mehta conducting) or Martha Argerich (Jacek Kaspszyk conducting). Here is a link to Piano Concerto No 2 performed by Arthur Rubinstein (conducted by Andre Previn).
Cello fans will enjoy this video of Chopin’s Cello Sonata (Op. 65) performed by Natalia Gutman and Sviatoslav Richter, or this performance of the Introduction and Polonaise brillante in C major (op. 3) performed by Daniil Shafran and Anton Ginsburg.
Here is Chopin’s Trio for Violin, Cello, and Piano (Op. 8), a wonderfully stirring piece of music.
Chopin also set several poems in Polish to music. Here is one of his Polish songs for voice and piano.
And now, since it is Chopin’s birthday, here is a fun tribute to him, the song Happy Birthday in the style of Chopin, with some added improvisation.
It is believed that Mendelssohn wrote this piece for cello and piano, titled Song Without Words, sometime around 1845. It was published after Mendelssohn’s death and given the designation Op. 109. The sheet music may be found here.
It was with great delight that I found this video of cellist Jacqueline du Pré performing Op. 109 (Iris du Pré, piano). I listened to other performances, but I kept coming back to this one. Perhaps it was the richness and sweetness of tone, or the expressiveness of the playing. I hope you will enjoy it as well.