Catapulting into Classical

A headlong leap into music, history, and composing

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Free On-Demand Viewing of 10 Operas for the European Opera Days Celebration

stick guy singing opera on a television with a viking helmet for an antenna

The Opera Platform will present ten operas as part of the European Opera Days celebration, May 5-14, 2017.  On-demand viewing begins at midnight CET (11PM UTC; 7PM EDT).  Here’s what you can see:

Ginestera: Bomarzo from the Teatro Real Madrid

Bizet: Carmen, two performances, from the Latvian National Opera and the Opéra de Lyon

Vivaldi: Farnace from the Opéra National du Rhin Strasbourg

Janáček: Foxie! Cunning Little Vixen from La Monnaie De Munt Brussels

Rossini: Il Turco in Italia from the Bergen National Opera

Monteverdi: L’incoronazione di Poppea from Opéra de Lille

Charpentier: Médée from Theater Basel

Thordarson (Þórðarson): Ragnheiður

Mozart: The Magic Flute (set in outer space) from Den Norske Opera Oslo

Learn more about European Opera Days and the featured operas here.

See other operas currently available on The Opera Platform here.



L’Orfeo by Claudio Monteverdi, Part 2

Orpheus and Eurydice, painting by Friedrich Rehberg, 1812

In yesterday’s post, I told you about a webcast of Monteverdi’s L’Orfeo presented by The Opera Platform and the Berlin Komische Oper.

Today, I thought I would provide you with a more traditional performance of this opera so you can compare them.  This performance was presented by the Gran Teatre del Liceu Barcelona, and the orchestra, playing period instruments, is conducted by Jordi Savall.   In addition, the orchestra members are wearing what appear to be period clothing styles, pretty cool!

Yesterday’s performance was re-orchestrated by composer Elena Kats-Chernin using modern instruments.

Below you can do your own quick head-to-head comparison using the aria presented in yesterday’s post.  Yesterday’s aria is in German, today’s in the original Italian.

Here is the aria from yesterday’s post

Here is the same aria in the traditional presentation.

So, what do you think?

Oh, and here are a few more references on Monteverdi and the origins of opera.


The Root of All Opera: Monteverdi’s ‘Orfeo’,

Monteverdi’s L’Orfeo and the Invention of Opera,,monteverdi-s-l-orfeo-and-the-invention-of-opera.aspx.


Image attribution: Orpheus and Eurydice, painting by Friedrich Rehberg, 1812.


Free Opera Webcast:  L’Orfeo by Claudio Monteverdi

Orpheus and Eurydice, painting by Edward Poynter

Claudio Monteverdi’s L’Orfeo recounts the ancient story of Orpheus, who after celebrating his wedding, must descend to Hades in a quest to bring back Eurydice, his bride, who has died of a snake bite.  After beguiling the powers that be with song, he is told that he may reclaim Eurydice–but there’s a catch (isn’t there always?):  he cannot look back at her to see if she is following as he leads her back to the world of the living.

L’Orfeo is one of the first operas, written in 1607, and it is still performed today.  Monteverdi didn’t invent opera (Jacopo Peri did), but as Howard Goodall puts it, Monteverdi was the first one to write good opera.1

You can now see Monteverdi’s L’Orfeo for free on The Opera Platform.  The opera is presented by the Komische Oper Berlin, with new orchestration by Elena Kats-Chernin.  The opera is performed in German.  There are no subtitles, but here are some libretto links:  in German, in English and ItalianThe full score may be found here.

The opera will be available until June 30, 2017.  Here’s the trailer.

And here you can see a lively aria from the opera.  This does not sound like music from 1607!   I hope you will enjoy it.



  1. BBC Howard Goodall’s Story of Music Episode 1 of 6: The Age of Discovery (time stamp 53:18); also Goodall, Howard, The Story of Music. New York: Penguin Books, 2013, pp. 69-74.


Image attribution: Orpheus and Eurydice, painting by Edward Poynter, [public domain] via Wikimedia Commons, .