Catapulting into Classical

A headlong leap into music, history, and composing


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To Sing on the Water

Photograph of the rippling, shimmering water of a lake as seen from a kayak

Sometimes, you have to get out of the office. Way out of the office.  Or just away.  To a place where there are no computers, no connectivity, no cell phone coverage.  No chargers, no chatter, no cable.

The middle of a large body of water is optimal.

Sunshine and breezes on a beautiful day can go a long way toward recharging your own battery, and the shimmer of a beautiful lake, the splash of water as your boat travels along are incomparable antidotes for the noise and bustle of a busy life.  And we’re all busy, too busy, always aware of the ticking clock, the march of time.

All this hustle and bustle might seem to be a modern phenomenon, but really it’s not.  People have been escaping to nature for a very long time.

Schubert, ah Schubert!  He knew; of course, he knew.  In his song Auf dem Wasser zu singen. Schubert sets to music a poem of Friedrich Leopold zu Stolberg-Stolberg that describes a boat trip at evening and reflects on the passage of time.  The piano ripples like the water, and the play of light and shadow at evening is reflected in Schubert’s characteristic shifts between major and minor keys.  The poet also notes the passage of time: each day time escapes, flying away.  But he is not disturbed, as he says that he will take wing and escape from time someday.

Here is Schubert’s Auf dem Wasser zu singen, performed by Dietrich Fischer-Dieskau and Gerald Moore.

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Image attribution:  Photograph by C. Gallant, 2015.