Catapulting into Classical

A headlong leap into music, history, and composing


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Haiku Wednesday: Handel’s Semele

Painting of Jupiter and Semele by Luca Ferrari
“Wherever you walk
There will be trees and flowers,
For you are lovely.”

So said Jupiter
To Semele; she doubted.
You know where this goes.

Whenever humans
Get involved with the Greek gods,
It doesn’t end well.

Tonight, 25 October 2017 at 19:00 CET (GMT +1), operavision.eu and the Garsington Opera will present Handel’s Semele, the story of a mortal woman seduced by Jupiter.  Handel filled this oratorio with wonderful arias.  However, the audience at the premiere was shocked, as Handel presented this sensual story during the solemn Lenten season.

No previews from tonight’s performance are available, but I really wanted you to hear a sample from Semele, so here is a performance of “Where’er you walk” by John Mark Ainsley.

Semele will be available for a few months after the initial webcast.

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Image attribution: Jupiter and Semele by Luca Ferrari [Public domain], via Wikimedia Commons, https://commons.wikimedia.org/wiki/File:Luca_Ferrari_-_Jupiter_and_Semele.jpg

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Free Concert Webcasts: Berlioz, Elgar, New Music, and Opera!

Tomorrow, 21 October 2017 at 8:00 PM EDT (GMT -5), visit dso.org/live for a performance of Harold in Italy by Hector Berlioz, Elgar’s Cello Concerto, and the world premiere of Loren Loiacono’s Smothered by Sky (at link see page 19).

The Opera Platform website, long the home of free opera webcasts, is now Operavision.eu.  Operas typically remain available for viewing on the site for six months after their initial webcast, and some are available with subtitles in multiple languages.  Operas currently available on the new website include Puccini’s Tosca and Madama Butterfly, Handel’s Acis and Galatea, and Verdi’s La Traviata.  Haven’t watched opera before? Check out Operavision’s New To Opera? tab for some helpful information.

Also, opera fans, please note that Operavision will present Wagner’s entire Ring cycle in separate webcasts beginning 28 October 2017, and, on a lighter note, Mozart’s The Marriage of Figaro on 3 November.


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Free On-Demand Viewing of 10 Operas for the European Opera Days Celebration

stick guy singing opera on a television with a viking helmet for an antenna

The Opera Platform will present ten operas as part of the European Opera Days celebration, May 5-14, 2017.  On-demand viewing begins at midnight CET (11PM UTC; 7PM EDT).  Here’s what you can see:

Ginestera: Bomarzo from the Teatro Real Madrid

Bizet: Carmen, two performances, from the Latvian National Opera and the Opéra de Lyon

Vivaldi: Farnace from the Opéra National du Rhin Strasbourg

Janáček: Foxie! Cunning Little Vixen from La Monnaie De Munt Brussels

Rossini: Il Turco in Italia from the Bergen National Opera

Monteverdi: L’incoronazione di Poppea from Opéra de Lille

Charpentier: Médée from Theater Basel

Thordarson (Þórðarson): Ragnheiður

Mozart: The Magic Flute (set in outer space) from Den Norske Opera Oslo

Learn more about European Opera Days and the featured operas here.

See other operas currently available on The Opera Platform here.


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Two Free Opera Live Webcasts This Weekend

stick guy singing opera on a television with a viking helmet for an antenna

This weekend, April 1 and 2, 2017,  The Opera Platform presents two live webcasts.

Today, April 1, 2017 at 12:55 EDT (GMT -4) The Opera Platform will present Lucrezia Borgia by Gaetano Donizetti  from the stage of the Palau de les Arts Reina Sofia in Valencia Spain.

Tomorrow, April 2, 2017 at 12:55 EDT (GMT -4) see the opening performance of Sorochintsy Fair by Modest Mussorgsky and Vissarion Shebalin (who finished the incomplete opera) from the stage of the Komische Oper in Berlin.

If you can’t make it, you will be able to view the webcast for a limited time on the website.  Check out the website for other operas available for viewing on demand.


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Free Webcast: Wagner’s Entire Ring Cycle

stick figure singing opera on a television with a viking helmet for an antennaGot plans for the weekend?  I have a suggestion:  binge watch a tale of greed, forbidden love, death, revenge, and apocalypse.  And the soundtrack is incredible!

BBC Arts and The Space are presenting for free online viewing performances of the operas in Wagner’s Ring cycle produced by Opera NorthHere’s the trailer.

It is available worldwide at this link. There are English subtitles.  Each of the four operas is presented separately, in case you don’t have a spare 15 hours straight to watch the entire cycle.  Here’s where you can find out more about each of the four operas in the cycle and the performers.  Here is the trailer for Siegfried.

In the reference section, you can find some fine websites that provide an introduction to the Ring before you embark on this epic journey.   Here is the Southbank Centre’s animated guide to the Ring.  And I particularly like this 2 1/2-minute video in which the Sydney Symphony Orchestra tells the story of the Ring.

I hope you will enjoy the Ring!

 

Postscript–because someone is bound to ask.  For those of you (in particular, Americans of a certain age) who can’t hear Wagner’s Ride of the Valkyries without thinking “Kill the wabbit,” here’s a link to the Bugs Bunny cartoon “What’s Opera, Doc?”  In addition to using Ride of the Valkyries, the cartoon borrows from Wagner’s opera TannhäuserYou can read about it here.

References

Wikipedia:  https://en.wikipedia.org/wiki/Der_Ring_des_Nibelungen

“Wagner’s Ring Cycle: Where to Start” http://www.classicfm.com/composers/wagner/guides/wagner-ring-cycle-where-start/

This website from the University of Michigan will help you learn more about the symbolism used in the Ring cycle http://www.umich.edu/~umfandsf/symbolismproject/symbolism.html/Teutonic_Mythology/ringsum.html

Sydney Symphony Orchestra’s guide to the Ring https://youtu.be/AgzZ_nLOJJE

Southbank Centre’s animated guide to the Ring https://youtu.be/ykQ7jc09OAk

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Image attribution: Stick figure singing opera on a television with a viking helmet as an antenna, C. Gallant, 2016.


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Mozart Mania: Over 8 Hours of Free Webcasts Now Available!

Mozart

More Mozart than you can shake a baton at!

More Mozart than you can Handel!

Ok, I’ll stop now.

The Detroit Symphony Orchestra has made all six programs of its MozartFest concert series available on YouTube until March 3, 2017.  That’s over eight hours of music available for your viewing and listening enjoyment.  Here’s the link for the “Mo-Fest BingeFest playlist.”

Here’s what you can see.

Overtures!

to Cosi fan Tutte

to Don Giovanni

to La Clemenza di Tito

to The Marriage of Figaro

to The Magic Flute

to The Abduction from the Seraglio

Concertos!

Bassoon Concerto

Flute Concerto

Concerto for Flute and Harp (exquisite!)

Horn Concertos 1, 2, 3, and 4

Oboe Concerto

Symphonies!

No 35, “Haffner”

No 36, “Linz”

No. 38, “Prague”

No. 39

No. 40

No. 41, “Jupiter”

But wait, there’s more!

Eine kleine Nachtmusik

Concertone

Sinfonia Concertante

You can also see works by Beethoven, Brahms, Debussy, Mahler, Bruckner, Schumann, Tchaikovsky and more on the Detroit Symphony Orchestra channel.  Click the Videos tab to see what’s available.


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Haiku Wednesday: Antonio Salieri

Portrait of Antonio Salieri by Joseph Willibrord Mähler

They say he poisoned
Amadeus Mozart; but
That is not the truth.

And then they called him
A second-rate composer;
If he was so bad,

Why then did Schubert,
Liszt, Beethoven, and Czerny
Call him their teacher?

He’s been much maligned,
Old Antonio Salieri.
Here’s the real story.

If you ask people who Antonio Salieri was, the two most likely answers might be

“Who?”

or

“Isn’t he the guy who poisoned Mozart?”

Since I’ve been pointing you in the direction of a series of free Mozart concerts in the last few weeks (more to come—stay tuned!), I thought it only fair that I clear up some of the misunderstandings about Salieri.

First, Salieri didn’t poison Mozart.  Though the two had their differences, they respected each other.  Salieri produced a revival of Mozart’s Figaro in Vienna (when he had the opportunity to produce an opera of his own), and Mozart himself wrote of Salieri’s enthusiastic reactions during a performance of Mozart’s The Magic Flute that the two attended together.1 A collaboration between Salieri and Mozart, once considered lost, was found in 2016.  After Mozart’s death, Salieri taught his son, Franz Xaver Mozart.

Salieri’s students included the composers mentioned above, and more.2 Students were keen to learn about vocal writing from him, as Salieri was a highly-regarded figure and a very successful opera composer.  But Salieri didn’t always get it right: fortunately, Schubert ignored Salieri’s disdain for the German Lied,3 and went on to write over 600 of them.  Salieri taught most of his students for free, remembering how one of his mentors had once taught him for free.  I think it’s fun to note that, “from time to time Salieri treated his pupils, Schubert among them, to ice cream, which was obtainable from a lemonade kiosk….”4  Picture Salieri, Schubert, and other students standing on a Vienna street corner eating ice cream!

As for the second-rate composer jibe … well, when you’re constantly being compared to Mozart, that’s a no-win situation, isn’t it?  The criticism is typically leveled at his non-operatic works.  You can judge for yourself:  more of his secular and religious orchestral and chamber works may be found here.  Here is Salieri’s lively Sinfonia Veneziana.

When it came to opera, however, Salieri was an innovator.  He would mix aspects of serious and comic opera, use established singing styles in unexpected ways, and he even incorporated ballet.  Many of his operas were very successful, in particular, Armida and Les DanaïdesYou can see the entire opera Les Danaïdes at this link.  Some of his other operas, including Tarare, Axur, re d’Ormus, L’Europa Riconosciuta, and La grotto di Trofonio are also available online.

Here is the overture to Les Danaïdes.

If you find yourself becoming a Salieri fan, you might want to check out some of these recent recordings.

Salieri—he’s making a comeback.

References

  1. https://en.wikipedia.org/wiki/Antonio_Salieri
  2. https://en.wikipedia.org/wiki/List_of_music_students_by_teacher:_R_to_S#Antonio_Salieri
  3. Gibbs, Christopher H., “Writing Under the Influence?: Salieri and Schubert’s Early Opinion of Beethoven” Current Musicology No 75, Spring 2003, p 125 (quoting Deutsch, Otto Erich, Schubert: Memoirs by his Friends, trans. Rosamond Ley and John Nowell. London: A &C Block, 1958 pp 20 and 130). https://core.ac.uk/download/pdf/27300266.pdf
  4. Reference 3, quoting Deutsch, p 66.

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Image attribution: Portrait of Antonio Salieri by Joseph Willibrord Mähler [Public domain], via Wikimedia Commons, https://commons.wikimedia.org/wiki/File%3AAntonio_Salieri_painted_by_Joseph_Willibrord_M%C3%A4hler.jpg.