Catapulting into Classical

A headlong leap into music, history, and composing

Haiku Wednesday: Women in Music

4 Comments

music note with feminist symbol (ankh) below

They threw away half
Of all the great music that
Might have been written.

They threw away half
Of all of the great music
That could have been heard.

No time to write for
The hand that rocked the cradle
And maintained the home.
No baton left for
A matron, mom, or maiden
On the podium.

For lack of training
And of opportunity
We lost their voices…
Nearly—just a few
Managed to break down the walls
And make themselves heard.

Today is more than
Women’s Day—it’s time to rise,
Conduct, play, compose.

Today is International Women’s Day.  You may see any number of articles on Clara Schumann, Fanny Mendelssohn Hensel, maybe even Hildegard von Bingen or Amy Cheney Beach.  You can follow the links to articles on each of these remarkable women in this blog.

Women were traditionally underrepresented in classical music.  What’s the situation now?

If you look at an old photograph of any orchestra, you’ll see a sea of tuxedos, and not a woman in sight (wait…maybe there’s one hidden behind the harp).  Look at a current photo, and you’ll see some women in the orchestra.  So, progress is being made.  But you’re still unlikely to find an equal distribution.

When we turn to the topic of female conductors, everyone first thinks of Marin Alsop—and then perhaps there is a long pause.   However, journalist Jessica Duchen has compiled a list of over 100 female conductors.  Duchen includes links to the conductors’ websites as well as brief bios, and these are fascinating.  But if we can name only one out of a hundred, there is still a long way to go.

Sadly, a search using the words “women classical music soloists” yields articles with titles containing the words”hottest,” “sexiest,”  and “pin-ups”…and I’m going to be ill now.

While there may be more women composers now than in previous times, a 2014 study11 found that women constitute only 15 percent of composition faculty in the top 20 music schools in the United States.  More than half of these schools have no women among the composition faculty at all.  Women constitute less than 15 percent of living composers whose works are presented by orchestras and in new-music series.11

So…

Are things better than they were?  Yes.

Has the problem of underrepresentation been solved?  No.

We still have a long way to go, but the progress that has been made is somewhat encouraging.

Below you will find a number of articles on this topic that may be of interest.

References

  1. Gregory, Alice, “A History of Classical Music (The Women-Only Version),”  The New York Times, December 2, 2016, https://www.nytimes.com/interactive/2016/12/02/arts/music/01womencomposers.html?_r=0
  2. “The Great Women Composers,” Classic fm, http://www.classicfm.com/discover-music/latest/great-women-composers/
  3. Rivera, Jennifer, “Where Are All the Women in Classical Music?” The Huffington Post, September 21, 2016 http://www.huffingtonpost.com/jennifer-rivera/where-are-all-the-women-i_1_b_12095342.html
  4. Tsioulcas, Anastasia, “What is Classical Music’s Women Problem?” NPR Classical Deceptive Cadence, October 9, 2013 http://www.npr.org/sections/deceptivecadence/2013/10/09/230751348/what-is-classical-musics-women-problem
  5. Pentreath, Rosie, “9 of the Best Contemporary Female Composers,” Classical-music.com, March 8, 2017 http://www.classical-music.com/article/six-best-contemporary-female-composers
  6. Cooper, Elinor, “10 Female Composers You Should Know,” Classical-music.com, March 8, 2016 http://www.classical-music.com/article/10-female-composers-you-should-know
  7. Duchen, Jessica, “Why the Male Domination of Classical Music Might Be Coming to an End,” The Guardian, February 28, 2015, https://www.theguardian.com/music/2015/feb/28/why-male-domination-of-classical-music-might-end
  8. Tilden, Imogen, “’This is not a woman’s issue’—Tackling Conducting’s Gender Problem,” an interview with Marin Alsop. The Guardian, February 6, 2017 https://www.theguardian.com/music/2017/feb/06/this-is-not-a-womans-issue-tackling-conductings-gender-problem
  9. Beer, Anna, “The Sound of Silence: Classical Music’s Forgotten Women,” The Guardian, April 2, 2016, https://www.theguardian.com/books/2016/apr/02/sound-silence-classical-musics-forgotten-women-caccini-strozzi
  10. Elizabeth, Jordannah, “10 Black Female Women Composers To Discover,” https://bitchmedia.org/post/10-black-female-women-composers-to-discover
  11. “Her Music: Today’s Emerging Female Composer,” WQXR, August 20, 2014, http://www.wqxr.org/#!/story/her-music-emerging-female-composer-today/
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4 thoughts on “Haiku Wednesday: Women in Music

  1. Thanks Chris. I love the integration of poetry and research. Interesting info.

    Liked by 1 person

  2. Sometime within the last two weeks my wife and I watched a bio on Mary Lou Williams. I had no idea. The road goes on forever. https://en.wikipedia.org/wiki/Mary_Lou_Williams

    Liked by 1 person

  3. Thanks for this post, Chris. Just so. Who knows how many women artists in all media were unsupported/unknown in their time and ours? Lots of marvelous women painters in the Renaissance, right? But primarily from the aristocracy- only they had the cultural “permission”, funds and time. And composers such as Hildegard, Barbara Strozzi (church and aristocracy, right?) and more. It’s only in the most recent two centuries that we begin to know more names: certainly Clara Schumann (big talent), Amy Chaney Beach (likewise), Lili Boulanger, Morisot, Kahlo, Cassatt, Frankenthaler, O’Keeffe and then closer to our time substantial numbers of accomplished and respected visual artists, poets, writers and composers (far too many to make more lists), including lots of Americans. And the number of women in the major conservatories and orchestras is much higher- at least those are more open than they were even 20-30 years ago. But it’s still catch-up time! Your summary of where we are now seems on target to me.

    Tom

    Liked by 1 person

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