On Saturday, April 13, 2019 at 8:00 PM EDT (GMT -4), the Detroit Symphony Orchestra will feature pianist Hélène Grimaud performing Beethoven’s Fourth Piano Concerto. Also on the program are Prokofiev’s Symphony No. 5, and a new work, Divisions, a commemoration of World War I, written by Sebastian Currier. Ludovic Morlot will conduct. You can see the concert at www.dso.org/live or on Facebook Live (https://www.facebook.com/detroitsymphony).
On Sunday, October 7, 2018 at 3:00 PM EDT (GMT -4) the Detroit Symphony Orchestra, conducted by Leonard Slatkin, will present a free concert webcast. You can see the webcast at https://www.dso.org/live.
Here’s the program:
Erb: The Seventh Trumpet
If you’d like to learn more about Elgar’s variations (and see a cute animal video while you’re at it) see my post about Variation XI and Bulldog Dan here.
Flashing fingers fly
And dance across the keyboard
Weaving their magic.
Feet too join the dance
Executing bass figures,
Sliding as on ice.
The word toccata
Means to touch—fingers, yes, and
Heart and soul and mind.
The toccata is by nature a flashy piece of music. It typically includes fast runs of notes, and can sound like an improvisation. It is a showcase for a musician’s skills. Toccatas are typically written for a keyboard instrument, but that’s not a requirement—toccatas have been written for string instruments, and even for orchestra (the prelude to Monteverdi’s opera L’Orfeo is a toccata). While the form had its heyday in the Baroque period, with Bach, master improviser, at the summit (Toccata in D Minor, the toccata everyone knows), the form never entirely went away.
Schumann wrote a Toccata in C (Op. 7) which he believed was the most difficult music at the time. In this video, you can follow the sheet music, which will give you an idea of the complexity. Liszt also gave it a whirl (Toccata, S. 197a).
Ravel included a toccata in his Le Tombeau de Couperin, and Debussy’s Jardins sous la pluie from Estampes is a toccata as well. One can also look to the finale of Widor’s Symphony No. 5 for a fine example of a toccata. You can find some videos of the finale here, including Widor himself playing the toccata.
And now for the strings! The last movement of John Adams’s Violin Concerto contains a toccata, and Hindemith’s Kammermusik No. 5, a viola concerto, also contains a toccata (he also wrote a Toccata for a Mechanical Piano, meaning a player piano, which you can see here).
If you’re ever having a blah day, and need a quick pick-me-up, try a toccata!
Today, March 24, 2017, at 8PM EDT (GMT -5) the Detroit Symphony Orchestra will present a free concert webcast. You can see the webcast here. The program includes Love Scene from Romeo and Juliet by Berlioz, and the Suite from Romeo and Juliet by Sergei Prokofiev. Andrey Boreyko will conduct.
Also on the program is a new commissioned work by Gabriel Prokofiev, British composer and DJ, who is also the grandson of Sergei Prokofiev. His Saxophone Concerto will feature soloist Branford Marsalis. You can read a little more about the composition here.
Today we remember those who have served in the armed forces; in some parts of the world this is called Remembrance Day or Armistice Day.
I have already written about the music written for those who made the ultimate sacrifice. Music has also been written for those who survived, but who paid a terrible price.
In The Wound Dresser, John Adams sets the poetry of Walt Whitman, who as a volunteer nurse cared for Civil War soldiers. You can hear John Adams talk about his composition here.
The pianist Paul Wittgenstein lost his right arm in World War I. He approached a number of composers, commissioning works written for the piano using the left hand alone. Ravel wrote the Piano Concerto for the Left Hand. Erich Korngold wrote a piano concerto that Wittgenstein liked so much (Op. 17), he commissioned a second, a suite for two violins, cello, and piano (Op. 23). Benjamin Britten’s Diversions for piano left hand and orchestra (Op. 21) was also written for Wittgenstein, as was Prokofiev’s Concerto No 4. In all, Wittgenstein commissioned around 40 pieces for piano left hand.
Frank Bridge wrote Three Improvisations for his friend Douglas Fox who lost his arm in World War I.
Leoš Janáček (Capriccio for Piano and Winds) and Bohuslav Martinů (Divertimento for Piano and Chamber Orchestra) wrote music for Czech pianist Otakar Hollman, whose right hand was permanently injured in World War I (Hollman plays in the links given above). For more on the genre of piano left hand music, see the articles referenced below, and the lefthandpianomusic YouTube channel.
The music I want to feature today is by George Butterworth, considered one of the promising composers of the early 20th century. I was surprised in my research to find film of Butterworth dancing—he was a Morris dancer. The film dates from 1912. Butterworth was cut down by a sniper’s bullet during the Battle of the Somme in World War I. Here is Butterworth’s The Banks of Green Willow.
A heartfelt thank you to all those who have served, and may all those who now serve come home safely.
Freedom isn’t free.
Wounded Warriors Family Support http://www.wwfs.org/wounded-warriors-family-support/information-main/about-us
Fisher House Foundation https://www.fisherhouse.org/about/
Tragedy Assistance Program for Survivors (TAPS) http://www.taps.org/about/
Image attribution: Detail of poster created for Veterans Day 2008 by the United States Department of Veterans Affairs (http://www1.va.gov/opa/vetsday/gallery.asp) [Public domain], via Wikimedia Commons, https://commons.wikimedia.org/wiki/File%3AVeterans_day_2008_poster.jpg
If you happened to miss the Berlin Philharmonic’s concert for refugees, “Welcome among us,” you can now see it at your convenience, free.
The concert has been made available in the Berlin Philharmonic’s archive at digitalconcerthall.com. Once you sign up for a free account, you may watch the concert, as well as an array of concerts for children (typically with a Christmas seasonal theme), and a large number of interviews with guest artists and conductors. Also available for free is a concert of Symphony No 1 by Brahms and Symphony No 1 by Schumann.
On Tuesday, 1 March 2016 at 12 noon EST, the Berlin Philharmonic will present a free live webcast of a concert for refugees, their families, and those helping refugees, “Welcome Among Us.” Register for a free account to see the concert at digitalconcerthall.com. Here’s the program:
Mozart: Piano Concerto in D Minor K 466, Daniel Barenboim conductor and piano, Staatskapelle Berlin
Prokofiev: Symphony No 1 in D Major Symphonie classique, Iván Fischer conductor, Konzerthausorkester Berlin
Beethoven: Symphony No 7 in A Major, movements 2 and 4, Sir Simon Rattle conductor, Berlin Philharmonic
Here’s a non-musical resource: if you are considering making a donation to help refugees (or for any other cause), you may find the Charity Navigator website useful. It provides detailed information on the performance of a large number of charities, many in the US, but some with an international component (for example, the International Rescue Committee or UNICEF). The information on the website can help you to make sure your donation is being used efficiently and effectively. Here is their listing of highly-rated charities focusing on the refugee crisis.
Image attribution: Refugees, public domain via https://openclipart.org/detail/226376/refugees