The Detroit Symphony Orchestra will present a live concert webcast on December 6, 2019 at 10:45 AM EST (GMT -5). The concert will feature Mendelssohn’s Violin Concerto, performed by violinist James Ehnes. Juanjo Mena will conduct. You can see the concert at dso.org/live. Here’s the program:
Here are three great live concert webcasts to choose from, with music ranging from Haydn to Bernstein to Cage.
On Friday, February 22, 2019 at 8:00 PM EST (GMT -5) Leonard Slatkin and the Detroit Symphony Orchestra (DSO) will present works by John Cage, Leonard Bernstein, Samuel Barber, and Kristin Kuster. You can see the concert at https://www.dso.org/live. Here’s the program:
But wait, there’s more! You’ll have to make a choice:
On Sunday, February 24, 2019 at 3:00 PM EST (GMT -5) Leonard Slatkin and the Detroit Symphony Orchestra will present “Maximum Minimal”, featuring music by Steve Reich, Philip Glass, and John Adams. You can see the concert here. Here’s the program:
If you’re not available for the SPCO concert, it will be available for on-demand viewing later at the SPCO concert library website. Detroit Symphony Orchestra webcasts can be viewed at a later date with a subscription to their Replay program (a benefit of a tax-deductible contribution to the DSO).
Whatever you decide to watch, I hope you will enjoy it!
Sometimes you just have to get away from it all. That seems increasingly hard to do these days. There are distractions everywhere, noise, people, devices…continuous clamor. How do you get away?
It’s nice to go to a park, and find a forested trail, but even there you are likely to find people (talking on their phones!), folks walking their dogs, kids enjoying the fresh air—all wonderful things (except the phone maybe), but still not quiet enough.
My go-to solution is getting out on the water, a large body of water, in a small kayak.
The phone may or may not work. The few people I see are fishing, quietly waiting on the shore for a fish to come along.
It’s wonderful.
I saw a fox that had come to the water’s edge for a drink. There was a yearling deer, no bigger than a large dog, foraging calmly on a hillside. A kingfisher bird dove with a loud splash into the water and came up with a small fish. A great blue heron waited quietly at the shoreline for a fish to come along. Turtles sunned themselves on logs and looked on as I silently glided by.
It has been a rainy summer in my region, and the water levels are high, which means that little inlets, once short and clearly connected to the main body of water, now extend, meandering well into the forest.
I followed one such inlet, and soon heard the sound of cascading water. It got louder and louder as I followed the stream as far as I could, until the water was only a few inches deep. The water I heard was pouring over a fallen log. It was surprisingly loud in contrast to the tranquil forest.
I remained there for a long time. And I took the picture you see at the top of the post. There was a great temptation to leave the kayak and explore…what was in the distance, beyond the bend, that I couldn’t see? But some things are better left as mysteries, untouched, explored only in the imagination.
I know that not everyone can do what I did. Not everyone has the time or opportunity. But we all can spare a few minutes to enjoy some peaceful music, and go to the place that makes us happiest in our minds.
The Saint Paul Chamber Orchestra has announced the addition of video to their collection of audio concert recordings. The recordings are free and available on demand. A series of live-stream concert webcasts will begin in September.
Women were traditionally underrepresented in classical music. What’s the situation now?
If you look at an old photograph of any orchestra, you’ll see a sea of tuxedos, and not a woman in sight (wait…maybe there’s one hidden behind the harp). Look at a current photo, and you’ll see some women in the orchestra. So, progress is being made. But you’re still unlikely to find an equal distribution.
When we turn to the topic of female conductors, everyone first thinks of Marin Alsop—and then perhaps there is a long pause. However, journalist Jessica Duchen has compiled a list of over 100 female conductors. Duchen includes links to the conductors’ websites as well as brief bios, and these are fascinating. But if we can name only one out of a hundred, there is still a long way to go.
Sadly, a search using the words “women classical music soloists” yields articles with titles containing the words”hottest,” “sexiest,” and “pin-ups”…and I’m going to be ill now.
While there may be more women composers now than in previous times, a 2014 study11 found that women constitute only 15 percent of composition faculty in the top 20 music schools in the United States. More than half of these schools have no women among the composition faculty at all. Women constitute less than 15 percent of living composers whose works are presented by orchestras and in new-music series.11
So…
Are things better than they were? Yes.
Has the problem of underrepresentation been solved? No.
We still have a long way to go, but the progress that has been made is somewhat encouraging.
Below you will find a number of articles on this topic that may be of interest.
Today I want to tell you about a free concert webcast on Saturday. But first let me ask you this: when you read the title, did you, for just a moment, picture Brahms dancing the tango? No? Ummm…me neither.
The Detroit Symphony Orchestra is offering a new free webcast featuring violinist Cho-Liang Lin, who will play Lalo Schifrin’sTangos Concertantes.
You can see the concert Saturday, January 14, 2017 at 8:00 PM EST (GMT -5) at the DSO Live webpage. At 7:00PM you can see an informal presentation by conductor Leonard Slatkin about the program.
http://www.schifrin.com/ Note: this webpage automatically plays introductory music (The Theme from Mission Impossible). In case you’re at work; don’t want the boss to get the wrong idea. You can click “Skip intro” to stop it.
Photo attribution: Couple doing the tango via http://angelplant1920.thoughts.com/posts/beautiful–14, modified by C. Gallant using Johannes Brahms photograph by C. Brasch, Berlin [Public domain], via Wikimedia Commons.
It is believed that Mendelssohn wrote this piece for cello and piano, titled Song Without Words, sometime around 1845. It was published after Mendelssohn’s death and given the designation Op. 109. The sheet music may be found here.
It was with great delight that I found this video of cellist Jacqueline du Pré performing Op. 109 (Iris du Pré, piano). I listened to other performances, but I kept coming back to this one. Perhaps it was the richness and sweetness of tone, or the expressiveness of the playing. I hope you will enjoy it as well.
Earlier this year the Berlin State Library acquired a Felix Mendelssohn autograph from a private collection. The pages (4 pages, 8 sides) contain sketches of Mendelssohn’s Piano Concerto No. 1 and his composition Die erste Walpurgisnacht.
The acquisition is significant because researchers had not previously had access to this material, which sheds light on the early stage of the composition process of these works.
Duke University graduate student Angela Mace discovered that the Ostersonate [Easter Sonata] formerly attributed to Felix Mendelssohn was in fact written by his sister, Fanny Mendelssohn Hensel. [1]
The work had been considered lost. It was found in the 20th century, then disappeared again. Until recently.
Mace made the discovery after locating and examining a manuscript of the piece in a private collection. She also determined that it had been written in 1828, and not 1829.
The piece is in Fanny Mendelssohn Hensel’s handwriting, and also contains stylistic elements that indicate that she is the composer. [2]
Fanny composed the music for her own wedding when her brother Felix was injured and could not produce the music in time. In fact, the recessional was composed the night before the wedding! [3]
Fanny Hensel: Morgengruss, Staatsbibliothek zu Berlin – PK (D-B) MA Ms. 174.